Poems by Nguyen Phan Que Mai

Translated from the Vietnamese by Bruce Weigl and Nguyen Phan Que Mai

Nguyen Phan Que Mai is among the most exciting writers to emerge from post-war Vietnam. Bruce Weigl, driven by his personal experiences as a soldier during the war in Vietnam, has spent the past 20 years translating contemporary Vietnamese poetry. These penetrating poems, published in bilingual English and Vietnamese, build new bridges between two cultures bound together by war and destruction. "The Secret of Hoa Sen," Que Mai's first full-length U.S. publication, shines with craft, art, and deeply felt humanity.

"I cross the Lam River to return to my homeland
where my mother embraces my grandmother's tomb in the rain,
the soil of Nghe An so dry the rice plants cling to rocks.
My mother chews dry corn; hungry, she tries to forget."

This powerful new work by Bruce Weigl follows the celebrated poet and Vietnam War veteran as he explores combat, survival, and PTSD in brief prose vignettes. In compact, transcendent, and poetic prose, Bruce Weigl chronicles somber observations on the present day alongside painful memories of the war. Reflections on school shootings and the lightning-fast spread of news in the 21st century are set alongside elegies for forgotten soldiers and the lifelong struggle of waiting for the trauma of war to fade. Haunting and nuanced, Among Elms, in Ambush carries readers through meditations and medications, past the shapes of figures in the dark rice fields of Viet Nam and the milkweed pods in the frost-covered fields of Ohio, toward a hard-won determination to survive.

In this Isabella Gardner Award-winning collection of poems, Bruce Weigl meditates on the ghosts and the grace one encounters in life's second act. A celebrated poet and veteran of the Vietnam War, Weigl offers a nuanced sense of aging as a departure and death as a returning home. With a sage's eye for mindfulness and a soldier's longing for the country where he served, Weigl's poems reveal the long scars left by Vietnam and the new possibilities one encounters in the wake of life-altering experiences.

After years of profound spiritual work, our most powerful poet of the Viet Nam War now turns to our potential for redemption. The book's locus is Chung Luong, birthplace of Weigl's Vietnamese daughter, Hanh, and one of the poorest and most beautiful places on earth. That vivid contrast, between beauty and utter poverty, is what drives this book, allowing the poet to view the collapse of empire--one of the book's central themes--from a new psychic vantage. While these tough, retrospective poems break into a new realm of compassion and forgiveness, they are just as steely and truth-telling as any of his earlier works, which were brilliant explorations of the damages of war and the violent potential of the human imagination.

But readers of Weigl's past books (among them "Song of Napalm," "What Saves Us," "The Monkey Wars") and his critically acclaimed memoir, "The Circle of Hanh," will recognize the distance he has traveled. As he himself has put it, "I began to feel as if I might try to assume some kind of public voice, so that these poems feel to me as if they're the most mature I've written. What drives the form is the attitude, and what drives the attitude is the particular take on diction; a kind of free-wheeling American-like regard for how words mean and how they feel in your mouth when you say them. I've never said the phrase 'this is my best book ever, ' but I can say it here because I know it is and I know what it took to get there."

In this work, over 40 combat veterans, nurses, relief workers, journalists and other men and women who have seen the face of war, reflect on their experiences. It includes poetry, fiction and critical prose on war and its legacy, from Vietnamese, American and Central American authors.

Winner of the 2006 Lannan Foundation Award for Poetry
In these wrenching, elegant poems, Bruce Weigl writes out of uncompromising memory and vision. His subject is both the transport and anguish of being open to the lived and living moment. From bars and bedrooms, in Ohio and Nicaragua and Vietnam, his voice rises through the noise of history and habit to reach us with impeccable grace and remarkable invention.

This powerful and moving bilingual collection affirms the importance of poetry in the formation and perpetuation of Vietnamese national Identity. These poems testify to the centrality of war in Vietnamese history and experience over the past fifty years. Beginning thw Ho Chi Minh in the 1940s and moving forward in time to Nguyen Quang Thieu in the 1990s, the book presents significant poetry reflecting the thoughts and feeling of the major Vietnamese writers who lived through many years of war, first with the French and later with the Americans. Mountain River will serve as a valuable introductory survey of Vietnamese poetry written since World War II and as an example of the integral role of poets and poetry in Vietnamese culture.

This book offers new perspectives on the work of this original and hard-to-categorize American poet, recently named Poet Laureate of the United States.Charles Simic, the fifteenth Poet Laureate of the United States, is one of America's most popular - and enigmatic - contemporary poets. Set apart from his contemporaries by a particularly inclusive and worldly vision, his is a poetic voice singular in our time for its quality of empathy, for its imagination-enriched logic, and for its deep and abiding clarity. In ""Charles Simic: Essays on the Poetry"" the perspectives of a range of critics, poets, and scholars (including James Atlas, William Matthews, Liam Rector, Helen Vendler and Diane Wakoski, among others) are brought together in an attempt to offer an appraisal of his art.This book traces the critical reception to Simic's poetry, beginning with the earliest responses, and reveals a constantly changing image of the relationship between the poet and his work. Essays and book reviews from sometimes radically different points of view address the body of Simic's verse and attempt to delineate the aesthetic from which his art emerges.